Back to Den-O after a long long hiatus.
For context, in case anyone should stumble upon this, I have not watched all of Den-O, so awhile back I decided to tackle it and blog about it. You can find my posts on previous episodes of Kamen Rider Den-O here.
No, I never finished it before, I stalled right around the same eps as the first time I started to watch Den-O… I did watch the first 3 or so Yuuto episodes, but I never actually blogged about them, so I’m starting again from 17. Yes, I skipped 15-16. No, I won’t ever blog about those two episodes, they were the original catalyst for losing my drive with Den-O twice already.
And just to clarify, yes, I know who Yuuto is, and I know who Hana is, but other than a couple of very general things, I’m pretty much unspoiled, and these posts are pretty much safe for episodes beyond the ones each one is about.
Anyway, on to 17 and 18. The plot thickens. And how.
Got caught up on a month’s worth of Mad Men yesterday. Among the many things one could say about the show, the thing that stood out to me was just how much I enjoy Joan and Peggy’s scenes.
I read Game of Thrones last year, and then in the past month and a half tore through Clash of Kings, Storm of Swords and Feast for Crows. The trigger was the beginning of the second season, two hours after watching the first episode I was well into Clash of Kings. Game of Thrones had left me with somewhat mixed feelings (I get the sense that occasionally having something of a love/hate relationship with these books is not that uncommon). My feelings about the series are no longer mixed, and Storm of Swords in particular was amazing. I could not put it down.
Well, that’s probably the most deviations from the books’ plot in a single episode of Game of Thrones.
Now, I’m not saying that’s bad. In general I’ve been fairly satisfied with the changes to the story (with one admittedly very subjective exception). It is an adaptation, and those books are long, the plot is very complicated, and in general I think the changes have been understandable and have made for a better TV series than if it had remained unchanged.
But seeing as there were quite a few changes, I thought it’d be interesting to dissect them. (Needless to say, spoilers! Although I do try to be vague about book stuff).
I don’t usually blog about Mad Men, in large part because I find that other people usually say whatever I might have said and more, but I just have to comment on Mystery Date, episode 3 (or 4, technically) of season 5.
I first read of Brandon Sanderson in the context of The Wheel of Time books, and how he was the one that would complete series since Robert Jordan’s death. I used to be really into WoT, and although it’s been awhile since I stopped following them (around book 8 or 9, I believe… I always meant to go back and finish someday) I was interested in what would happen, and more specifically in what kind of a job the new writer would do. By all accounts, Sanderson is said to be doing a good job, and although I’m not quite up to the task of playing catch up with WoT, I decided to start reading his Mistborn Trilogy.
How long has it been since Regional Holiday Music? Almost exactly three months, right? Way too long in any case, but Community is finally back. I’ve missed these characters and this show so much.
Urban Matrimony and the Sandwich Arts was one of the more “normal” Community episodes, and while I do think that you need episodes like this to balance out blanket forts and zombie apocalypses, I also find it really amusing that this episode also contained an entire subplot about how if weirdness is in your nature you should embrace it and not try to be normal (hard not to take Troy and Abed’s subplot as meta commentary, isn’t it?).