I thought that my first post of the year would be Sherlock, since it’s back on and I’m just loving it (I’m completely obsessed with Lestrade), but I watched Ryuki’s first episode for the first time in a long time, after recommending it to a friend, and I ended up having things I wanted to say about it.
Word of warning for anyone that hasn’t seen Kamen Rider Ryuki through to the end: several of my observations relate directly to the very end of the series, so this will be spoilery. Very spoilery.
The fact that being the Doctor’s companion quite often is a curse disguised as a blessing is something that has been explored before in Doctor Who. Moffat has been toying with it all along, and I really like how it all comes to a head in this episode, how the 11th Doctor has to face that truth and do something about it.
I was going through Google Docs and I found something I meant to post long ago but somehow never got around to. It was a little over two years, about a week after the final episode of Kamen Rider Decade. The caveat is this was before the 2010 movie, when those few seconds of teaser footage that were never actually used in the movie created a lot of false expectations about what the movie would be like. Basically what that timeframe means is that some of my opinions were rendered moot points once the real movie came out, and the movie did force me to change some of my perceptions (reluctantly, I might add). But I don’t know, it’s interesting to read this and put myself in that mindframe again.
Kamen Rider Decade had a lot of faults, but I did love it. I have to love any show that makes me overthink it as much as this one did.
A lot of people have felt that Fringe has not been at its best this season, for various reasons. One specific complaint has been about spending time in a world in which the fact that Peter Bishop drowned in Reiden Lake rendered everyone slightly different from the versions we know. Not radically different, as in Earth 2, but still not quite the same.
When introducing Fauxlivia and Walternate’s world, Fringe had the advantage of stepping into a world that was very clearly, very obviously, different from ours. Blimps in the sky. The World Trade Center still standing. Olivia’s red hair. Everything about the world said, this is different, and the audience could approach it as such. The problem facing Fringe this season is that we have no clear indicators of how to approach the reality we’re watching. Neither Here Nor There indeed. The problem has been, I suppose, that we weren’t quite sure whether we were supposed to take this as OUR Earth, rendered different enough for it to be unfamiliar after whatever Peter did, or as an entirely different timeline. I think the writers definitely knew all along, but we didn’t, and I think it’s caused a certain unease.
In my previous post I mentioned how I love Pirate Sentai Gokaiger, it’s insanely fun, but it doesn’t usually inspire me to actually write about it on here. So much of it is “stupid awesome” pirate shenanigans that it’s really easy to forget that it can touch deeper topics, and that, in fact, most of the main characters have had fairly dark backstories revealed.